See also the corresponding code chart.
0F00 Tibetan 0FFF
| The Tibetan script is called the Bodhi script in Bhutan. | ||
Syllable | ||
| 0F00 | ༀ | TIBETAN SYLLABLE OM |
Head marks | ||
| 0F01 | ༁ | TIBETAN MARK GTER YIG MGO TRUNCATED A |
| 0F02 | ༂ | TIBETAN MARK GTER YIG MGO -UM RNAM BCAD MA |
| 0F03 | ༃ | TIBETAN MARK GTER YIG MGO -UM GTER TSHEG MA |
| 0F04 | ༄ | TIBETAN MARK INITIAL YIG MGO MDUN MA |
| • honorific; marks beginning of text or start of new folio | ||
| → 1800 ᠀ mongolian birga | ||
| 0F05 | ༅ | TIBETAN MARK CLOSING YIG MGO SGAB MA |
| • follows and ligates with initial yig-mgo | ||
| 0F06 | ༆ | TIBETAN MARK CARET YIG MGO PHUR SHAD MA |
| 0F07 | ༇ | TIBETAN MARK YIG MGO TSHEG SHAD MA |
Marks and signs | ||
| 0F08 | ༈ | TIBETAN MARK SBRUL SHAD |
| • separates sections of meaning equivalent to topics and sub-topics | ||
| 0F09 | ༉ | TIBETAN MARK BSKUR YIG MGO |
| • list enumerator, used in Bhutan | ||
| 0F0A | ༊ | TIBETAN MARK BKA- SHOG YIG MGO |
| • petition honorific, used in Bhutan | ||
| 0F0B | ་ | TIBETAN MARK INTERSYLLABIC TSHEG |
| = tsek | ||
| • morpheme delimiter (approximate meaning) | ||
| • the normal tsheg; provides a break opportunity | ||
| • character name is a misnomer | ||
| 0F0C | ༌ | TIBETAN MARK DELIMITER TSHEG BSTAR |
| • a non-breaking tsheg; inhibits line breaking | ||
| • character name is a misnomer | ||
| ≈ <noBreak> 0F0B ་ | ||
| 0F0D | ། | TIBETAN MARK SHAD |
| = shey | ||
| • marks end of a section of text (tshig-grub) | ||
| → 0964 । devanagari danda | ||
| 0F0E | ༎ | TIBETAN MARK NYIS SHAD |
| • marks end of a whole topic (don-tshan) | ||
| → 0965 ॥ devanagari double danda | ||
| 0F0F | ༏ | TIBETAN MARK TSHEG SHAD |
| 0F10 | ༐ | TIBETAN MARK NYIS TSHEG SHAD |
| 0F11 | ༑ | TIBETAN MARK RIN CHEN SPUNGS SHAD |
| • shad which follows a tsheg-bar that starts a new line | ||
| 0F12 | ༒ | TIBETAN MARK RGYA GRAM SHAD |
| 0F13 | ༓ | TIBETAN MARK CARET -DZUD RTAGS ME LONG CAN |
| 0F14 | ༔ | TIBETAN MARK GTER TSHEG |
| • used as a comma-like text delimiter | ||
| → 17D6 ៖ khmer sign camnuc pii kuuh | ||
Astrological signs | ||
| 0F15 | ༕ | TIBETAN LOGOTYPE SIGN CHAD RTAGS |
| 0F16 | ༖ | TIBETAN LOGOTYPE SIGN LHAG RTAGS |
| 0F17 | ༗ | TIBETAN ASTROLOGICAL SIGN SGRA GCAN -CHAR RTAGS |
| 0F18 | ◌༘ | TIBETAN ASTROLOGICAL SIGN -KHYUD PA |
| • combines with digits | ||
| 0F19 | ◌༙ | TIBETAN ASTROLOGICAL SIGN SDONG TSHUGS |
| • combines with digits | ||
| 0F1A | ༚ | TIBETAN SIGN RDEL DKAR GCIG |
| 0F1B | ༛ | TIBETAN SIGN RDEL DKAR GNYIS |
| 0F1C | ༜ | TIBETAN SIGN RDEL DKAR GSUM |
| → 1F746 🝆 alchemical symbol for oil | ||
| 0F1D | ༝ | TIBETAN SIGN RDEL NAG GCIG |
| 0F1E | ༞ | TIBETAN SIGN RDEL NAG GNYIS |
| 0F1F | ༟ | TIBETAN SIGN RDEL DKAR RDEL NAG |
| = deka dena | ||
| • normally indicates a neutral fortune | ||
| • may also signify good luck earlier, bad luck later | ||
| → 0FCE ࿎ tibetan sign rdel nag rdel dkar | ||
Digits | ||
| 0F20 | ༠ | TIBETAN DIGIT ZERO |
| 0F21 | ༡ | TIBETAN DIGIT ONE |
| 0F22 | ༢ | TIBETAN DIGIT TWO |
| 0F23 | ༣ | TIBETAN DIGIT THREE |
| 0F24 | ༤ | TIBETAN DIGIT FOUR |
| 0F25 | ༥ | TIBETAN DIGIT FIVE |
| 0F26 | ༦ | TIBETAN DIGIT SIX |
| 0F27 | ༧ | TIBETAN DIGIT SEVEN |
| 0F28 | ༨ | TIBETAN DIGIT EIGHT |
| 0F29 | ༩ | TIBETAN DIGIT NINE |
Digits minus half | ||
| 0F2A | ༪ | TIBETAN DIGIT HALF ONE |
| 0F2B | ༫ | TIBETAN DIGIT HALF TWO |
| 0F2C | ༬ | TIBETAN DIGIT HALF THREE |
| 0F2D | ༭ | TIBETAN DIGIT HALF FOUR |
| 0F2E | ༮ | TIBETAN DIGIT HALF FIVE |
| 0F2F | ༯ | TIBETAN DIGIT HALF SIX |
| 0F30 | ༰ | TIBETAN DIGIT HALF SEVEN |
| 0F31 | ༱ | TIBETAN DIGIT HALF EIGHT |
| 0F32 | ༲ | TIBETAN DIGIT HALF NINE |
| 0F33 | ༳ | TIBETAN DIGIT HALF ZERO |
Marks and signs | ||
| 0F34 | ༴ | TIBETAN MARK BSDUS RTAGS |
| • repetition | ||
| 0F35 | ◌༵ | TIBETAN MARK NGAS BZUNG NYI ZLA |
| • honorific, emphasis; used like underlining | ||
| 0F36 | ༶ | TIBETAN MARK CARET -DZUD RTAGS BZHI MIG CAN |
| • marks point of text insertion or annotation | ||
| 0F37 | ◌༷ | TIBETAN MARK NGAS BZUNG SGOR RTAGS |
| • emphasis; used like underlining | ||
| 0F38 | ༸ | TIBETAN MARK CHE MGO |
| 0F39 | ◌༹ | TIBETAN MARK TSA -PHRU |
| • a lenition mark | ||
Paired punctuation | ||
| 0F3A | ༺ | TIBETAN MARK GUG RTAGS GYON |
| 0F3B | ༻ | TIBETAN MARK GUG RTAGS GYAS |
| • brackets | ||
| 0F3C | ༼ | TIBETAN MARK ANG KHANG GYON |
| 0F3D | ༽ | TIBETAN MARK ANG KHANG GYAS |
| • used for bracketing with a roof over | ||
Astrological signs | ||
| 0F3E | ◌༾ | TIBETAN SIGN YAR TSHES |
| 0F3F | ◌༿ | TIBETAN SIGN MAR TSHES |
| • marks which combine with digits | ||
Consonants | ||
| 0F40 | ཀ | TIBETAN LETTER KA |
| 0F41 | ཁ | TIBETAN LETTER KHA |
| 0F42 | ག | TIBETAN LETTER GA |
| 0F43 | གྷ | TIBETAN LETTER GHA |
| ≡ 0F42 ག 0FB7 ◌ྷ | ||
| 0F44 | ང | TIBETAN LETTER NGA |
| 0F45 | ཅ | TIBETAN LETTER CA |
| 0F46 | ཆ | TIBETAN LETTER CHA |
| 0F47 | ཇ | TIBETAN LETTER JA |
| 0F49 | ཉ | TIBETAN LETTER NYA |
| 0F4A | ཊ | TIBETAN LETTER TTA |
| 0F4B | ཋ | TIBETAN LETTER TTHA |
| 0F4C | ཌ | TIBETAN LETTER DDA |
| 0F4D | ཌྷ | TIBETAN LETTER DDHA |
| ≡ 0F4C ཌ 0FB7 ◌ྷ | ||
| 0F4E | ཎ | TIBETAN LETTER NNA |
| 0F4F | ཏ | TIBETAN LETTER TA |
| 0F50 | ཐ | TIBETAN LETTER THA |
| 0F51 | ད | TIBETAN LETTER DA |
| 0F52 | དྷ | TIBETAN LETTER DHA |
| ≡ 0F51 ད 0FB7 ◌ྷ | ||
| 0F53 | ན | TIBETAN LETTER NA |
| 0F54 | པ | TIBETAN LETTER PA |
| 0F55 | ཕ | TIBETAN LETTER PHA |
| 0F56 | བ | TIBETAN LETTER BA |
| 0F57 | བྷ | TIBETAN LETTER BHA |
| ≡ 0F56 བ 0FB7 ◌ྷ | ||
| 0F58 | མ | TIBETAN LETTER MA |
| 0F59 | ཙ | TIBETAN LETTER TSA |
| 0F5A | ཚ | TIBETAN LETTER TSHA |
| 0F5B | ཛ | TIBETAN LETTER DZA |
| 0F5C | ཛྷ | TIBETAN LETTER DZHA |
| ≡ 0F5B ཛ 0FB7 ◌ྷ | ||
| 0F5D | ཝ | TIBETAN LETTER WA |
| 0F5E | ཞ | TIBETAN LETTER ZHA |
| 0F5F | ཟ | TIBETAN LETTER ZA |
| 0F60 | འ | TIBETAN LETTER -A |
| 0F61 | ཡ | TIBETAN LETTER YA |
| 0F62 | ར | TIBETAN LETTER RA |
| • when followed by a subjoined letter = ra mgo | ||
| 0F63 | ལ | TIBETAN LETTER LA |
| 0F64 | ཤ | TIBETAN LETTER SHA |
| 0F65 | ཥ | TIBETAN LETTER SSA |
| = reversed sha | ||
| 0F66 | ས | TIBETAN LETTER SA |
| 0F67 | ཧ | TIBETAN LETTER HA |
| 0F68 | ཨ | TIBETAN LETTER A |
| • base for dependent vowels | ||
| 0F69 | ཀྵ | TIBETAN LETTER KSSA |
| ≡ 0F40 ཀ 0FB5 ◌ྵ | ||
| 0F6A | ཪ | TIBETAN LETTER FIXED-FORM RA |
| • fixed-form letter not showing the shape variation of the ordinary ra | ||
| • used only in transliteration and transcription | ||
| → 0F62 ར tibetan letter ra | ||
Extensions for Balti | ||
| 0F6B | ཫ | TIBETAN LETTER KKA |
| 0F6C | ཬ | TIBETAN LETTER RRA |
Dependent vowel signs | ||
| 0F71 | ◌ཱ | TIBETAN VOWEL SIGN AA |
| = a-chung | ||
| • common, vowel-lengthening mark | ||
| 0F72 | ◌ི | TIBETAN VOWEL SIGN I |
| 0F73 | ◌ཱི | TIBETAN VOWEL SIGN II |
| • use of this character is discouraged | ||
| ≡ 0F71 ◌ཱ 0F72 ◌ི | ||
| 0F74 | ◌ུ | TIBETAN VOWEL SIGN U |
| 0F75 | ◌ཱུ | TIBETAN VOWEL SIGN UU |
| • use of this character is discouraged | ||
| ≡ 0F71 ◌ཱ 0F74 ◌ུ | ||
| 0F76 | ◌ྲྀ | TIBETAN VOWEL SIGN VOCALIC R |
| ≡ 0FB2 ◌ྲ 0F80 ◌ྀ | ||
| 0F77 | ◌ཷ | TIBETAN VOWEL SIGN VOCALIC RR |
| • this character is deprecated and its use is strongly discouraged | ||
| ≈ 0FB2 ◌ྲ 0F81 ◌ཱྀ | ||
| 0F78 | ◌ླྀ | TIBETAN VOWEL SIGN VOCALIC L |
| ≡ 0FB3 ◌ླ 0F80 ◌ྀ | ||
| 0F79 | ◌ཹ | TIBETAN VOWEL SIGN VOCALIC LL |
| • this character is deprecated and its use is strongly discouraged | ||
| ≈ 0FB3 ◌ླ 0F81 ◌ཱྀ | ||
| 0F7A | ◌ེ | TIBETAN VOWEL SIGN E |
| 0F7B | ◌ཻ | TIBETAN VOWEL SIGN EE |
| 0F7C | ◌ོ | TIBETAN VOWEL SIGN O |
| 0F7D | ◌ཽ | TIBETAN VOWEL SIGN OO |
Vocalic modification | ||
| 0F7E | ◌ཾ | TIBETAN SIGN RJES SU NGA RO |
| = anusvara | ||
| 0F7F | ◌ཿ | TIBETAN SIGN RNAM BCAD |
| = visarga | ||
Dependent vowel signs | ||
| 0F80 | ◌ྀ | TIBETAN VOWEL SIGN REVERSED I |
| 0F81 | ◌ཱྀ | TIBETAN VOWEL SIGN REVERSED II |
| • use of this character is discouraged | ||
| ≡ 0F71 ◌ཱ 0F80 ◌ྀ | ||
Marks and signs | ||
| 0F82 | ◌ྂ | TIBETAN SIGN NYI ZLA NAA DA |
| 0F83 | ◌ྃ | TIBETAN SIGN SNA LDAN |
| → 0901 ◌ँ devanagari sign candrabindu | ||
| 0F84 | ◌྄ | TIBETAN MARK HALANTA |
| = srog med | ||
| → 094D ◌् devanagari sign virama | ||
| 0F85 | ྅ | TIBETAN MARK PALUTA |
| • transliteration of Sanskrit avagraha | ||
| → 093D ऽ devanagari sign avagraha | ||
| 0F86 | ◌྆ | TIBETAN SIGN LCI RTAGS |
| 0F87 | ◌྇ | TIBETAN SIGN YANG RTAGS |
Transliteration head letters | ||
| 0F88 | ྈ | TIBETAN SIGN LCE TSA CAN |
| → 1CF5 ᳵ vedic sign jihvamuliya | ||
| → 1882 ᢂ mongolian letter ali gali damaru | ||
| 0F89 | ྉ | TIBETAN SIGN MCHU CAN |
| → 1CF6 ᳶ vedic sign upadhmaniya | ||
| → 1884 ᢄ mongolian letter ali gali inverted ubadama | ||
| 0F8A | ྊ | TIBETAN SIGN GRU CAN RGYINGS |
| • always followed by 0F82 ◌ྂ | ||
| 0F8B | ྋ | TIBETAN SIGN GRU MED RGYINGS |
| 0F8C | ྌ | TIBETAN SIGN INVERTED MCHU CAN |
| → 1883 ᢃ mongolian letter ali gali ubadama | ||
Transliteration subjoined signs | ||
| 0F8D | ◌ྍ | TIBETAN SUBJOINED SIGN LCE TSA CAN |
| 0F8E | ◌ྎ | TIBETAN SUBJOINED SIGN MCHU CAN |
| 0F8F | ◌ྏ | TIBETAN SUBJOINED SIGN INVERTED MCHU CAN |
Subjoined consonants | ||
| The subjoined letters for WA, YA, and RA appear in both full and short forms. The short forms, wa.zur, ya-btags, and ra-btags, respectively, are most common and are the forms shown in the charts. | ||
| 0F90 | ◌ྐ | TIBETAN SUBJOINED LETTER KA |
| 0F91 | ◌ྑ | TIBETAN SUBJOINED LETTER KHA |
| 0F92 | ◌ྒ | TIBETAN SUBJOINED LETTER GA |
| 0F93 | ◌ྒྷ | TIBETAN SUBJOINED LETTER GHA |
| ≡ 0F92 ◌ྒ 0FB7 ◌ྷ | ||
| 0F94 | ◌ྔ | TIBETAN SUBJOINED LETTER NGA |
| 0F95 | ◌ྕ | TIBETAN SUBJOINED LETTER CA |
| 0F96 | ◌ྖ | TIBETAN SUBJOINED LETTER CHA |
| 0F97 | ◌ྗ | TIBETAN SUBJOINED LETTER JA |
| 0F99 | ◌ྙ | TIBETAN SUBJOINED LETTER NYA |
| 0F9A | ◌ྚ | TIBETAN SUBJOINED LETTER TTA |
| 0F9B | ◌ྛ | TIBETAN SUBJOINED LETTER TTHA |
| 0F9C | ◌ྜ | TIBETAN SUBJOINED LETTER DDA |
| 0F9D | ◌ྜྷ | TIBETAN SUBJOINED LETTER DDHA |
| ≡ 0F9C ◌ྜ 0FB7 ◌ྷ | ||
| 0F9E | ◌ྞ | TIBETAN SUBJOINED LETTER NNA |
| 0F9F | ◌ྟ | TIBETAN SUBJOINED LETTER TA |
| 0FA0 | ◌ྠ | TIBETAN SUBJOINED LETTER THA |
| 0FA1 | ◌ྡ | TIBETAN SUBJOINED LETTER DA |
| 0FA2 | ◌ྡྷ | TIBETAN SUBJOINED LETTER DHA |
| ≡ 0FA1 ◌ྡ 0FB7 ◌ྷ | ||
| 0FA3 | ◌ྣ | TIBETAN SUBJOINED LETTER NA |
| 0FA4 | ◌ྤ | TIBETAN SUBJOINED LETTER PA |
| 0FA5 | ◌ྥ | TIBETAN SUBJOINED LETTER PHA |
| 0FA6 | ◌ྦ | TIBETAN SUBJOINED LETTER BA |
| 0FA7 | ◌ྦྷ | TIBETAN SUBJOINED LETTER BHA |
| ≡ 0FA6 ◌ྦ 0FB7 ◌ྷ | ||
| 0FA8 | ◌ྨ | TIBETAN SUBJOINED LETTER MA |
| 0FA9 | ◌ྩ | TIBETAN SUBJOINED LETTER TSA |
| 0FAA | ◌ྪ | TIBETAN SUBJOINED LETTER TSHA |
| 0FAB | ◌ྫ | TIBETAN SUBJOINED LETTER DZA |
| 0FAC | ◌ྫྷ | TIBETAN SUBJOINED LETTER DZHA |
| ≡ 0FAB ◌ྫ 0FB7 ◌ྷ | ||
| 0FAD | ◌ྭ | TIBETAN SUBJOINED LETTER WA |
| = wa-zur, wa-btags (wa ta) | ||
| 0FAE | ◌ྮ | TIBETAN SUBJOINED LETTER ZHA |
| 0FAF | ◌ྯ | TIBETAN SUBJOINED LETTER ZA |
| 0FB0 | ◌ྰ | TIBETAN SUBJOINED LETTER -A |
| = a-chung | ||
| • rare, only used for full-sized subjoined letter | ||
| → 0F71 ◌ཱ tibetan vowel sign aa | ||
| 0FB1 | ◌ྱ | TIBETAN SUBJOINED LETTER YA |
| = ya-btags (ya ta) | ||
| 0FB2 | ◌ྲ | TIBETAN SUBJOINED LETTER RA |
| = ra-btags (ra ta) | ||
| 0FB3 | ◌ླ | TIBETAN SUBJOINED LETTER LA |
| 0FB4 | ◌ྴ | TIBETAN SUBJOINED LETTER SHA |
| 0FB5 | ◌ྵ | TIBETAN SUBJOINED LETTER SSA |
| = reversed subjoined sha | ||
| 0FB6 | ◌ྶ | TIBETAN SUBJOINED LETTER SA |
| 0FB7 | ◌ྷ | TIBETAN SUBJOINED LETTER HA |
| 0FB8 | ◌ྸ | TIBETAN SUBJOINED LETTER A |
| 0FB9 | ◌ྐྵ | TIBETAN SUBJOINED LETTER KSSA |
| ≡ 0F90 ◌ྐ 0FB5 ◌ྵ | ||
Fixed-form subjoined consonants | ||
| These characters are used only for transliteration and transcription. | ||
| 0FBA | ◌ྺ | TIBETAN SUBJOINED LETTER FIXED-FORM WA |
| 0FBB | ◌ྻ | TIBETAN SUBJOINED LETTER FIXED-FORM YA |
| 0FBC | ◌ྼ | TIBETAN SUBJOINED LETTER FIXED-FORM RA |
Signs | ||
| 0FBE | ྾ | TIBETAN KU RU KHA |
| • often repeated three times; indicates a refrain | ||
| 0FBF | ྿ | TIBETAN KU RU KHA BZHI MIG CAN |
| • marks point of text insertion or annotation | ||
| → 203B ※ reference mark | ||
Cantillation signs | ||
| 0FC0 | ࿀ | TIBETAN CANTILLATION SIGN HEAVY BEAT |
| • marks a heavy drum beat | ||
| 0FC1 | ࿁ | TIBETAN CANTILLATION SIGN LIGHT BEAT |
| • marks a light drum beat | ||
| 0FC2 | ࿂ | TIBETAN CANTILLATION SIGN CANG TE-U |
| • symbol of a small Tibetan hand drum | ||
| 0FC3 | ࿃ | TIBETAN CANTILLATION SIGN SBUB -CHAL |
| • symbol of a Tibetan cymbal | ||
Symbols | ||
| 0FC4 | ࿄ | TIBETAN SYMBOL DRIL BU |
| • symbol of a Tibetan hand bell | ||
| → 1F514 🔔 bell | ||
| 0FC5 | ࿅ | TIBETAN SYMBOL RDO RJE |
| 0FC6 | ◌࿆ | TIBETAN SYMBOL PADMA GDAN |
| 0FC7 | ࿇ | TIBETAN SYMBOL RDO RJE RGYA GRAM |
| 0FC8 | ࿈ | TIBETAN SYMBOL PHUR PA |
| 0FC9 | ࿉ | TIBETAN SYMBOL NOR BU |
| 0FCA | ࿊ | TIBETAN SYMBOL NOR BU NYIS -KHYIL |
| • the double body symbol | ||
| → 262F ☯ yin yang | ||
| 0FCB | ࿋ | TIBETAN SYMBOL NOR BU GSUM -KHYIL |
| • the tri-kaya or triple body symbol | ||
| 0FCC | ࿌ | TIBETAN SYMBOL NOR BU BZHI -KHYIL |
| • the quadruple body symbol, a form of the svasti sign | ||
| → 0FD6 ࿖ left-facing svasti sign | ||
Astrological signs | ||
| 0FCE | ࿎ | TIBETAN SIGN RDEL NAG RDEL DKAR |
| = dena deka | ||
| • signifies bad luck earlier, good luck later | ||
| → 0F1F ༟ tibetan sign rdel dkar rdel nag | ||
| 0FCF | ࿏ | TIBETAN SIGN RDEL NAG GSUM |
Marks | ||
| 0FD0 | ࿐ | TIBETAN MARK BSKA- SHOG GI MGO RGYAN |
| ※ TIBETAN MARK BKA- SHOG GI MGO RGYAN | ||
| • used in Bhutan | ||
| 0FD1 | ࿑ | TIBETAN MARK MNYAM YIG GI MGO RGYAN |
| • used in Bhutan | ||
| 0FD2 | ࿒ | TIBETAN MARK NYIS TSHEG |
| = nyi tsek | ||
Head marks | ||
| 0FD3 | ࿓ | TIBETAN MARK INITIAL BRDA RNYING YIG MGO MDUN MA |
| = da nying yik go dun ma | ||
| 0FD4 | ࿔ | TIBETAN MARK CLOSING BRDA RNYING YIG MGO SGAB MA |
| = da nying yik go kab ma | ||
Religious symbols | ||
| Use of these svasti signs is not limited to the Tibetan script. | ||
| 0FD5 | ࿕ | RIGHT-FACING SVASTI SIGN |
| = gyung drung nang -khor | ||
| • symbol of good luck and well-being in India | ||
| → 5350 卐 | ||
| 0FD6 | ࿖ | LEFT-FACING SVASTI SIGN |
| = gyung drung phyi -khor | ||
| → 534D 卍 | ||
| 0FD7 | ࿗ | RIGHT-FACING SVASTI SIGN WITH DOTS |
| = gyung drung nang -khor bzhi mig can | ||
| 0FD8 | ࿘ | LEFT-FACING SVASTI SIGN WITH DOTS |
| = gyung drung phyi -khor bzhi mig can | ||
Annotation marks | ||
| 0FD9 | ࿙ | TIBETAN MARK LEADING MCHAN RTAGS |
| 0FDA | ࿚ | TIBETAN MARK TRAILING MCHAN RTAGS |